Skip to content
  • skirmishes
    • top five
      • discourse#5
      • itsan
      • sanage
      • ?X
      • stationmaster
    • five books
      • discourse5
      • itsan
      • sanage adventure field
      • ?X
      • stationmaster
    • riverspell
      • riverspell1
      • riverspell2
      • riverspell3
      • riverspell4
    • passages
      • passages1
        • everybody loves a lover
        • ruth
        • considering measurement
        • beside the truth
        • literary hollows
        • terminal decline
      • passages2
        • puer aeternus
        • literary hollows
        • making it up
        • Abgeschiedenheit
    • selected: everything’s something in place
  • incursions
    • jackson
      • i
      • ii
      • iii
    • horrocks
    • leggott
    • young
      • i
      • ii
    • edmond
    • loney
      • i
      • ii
    • curnow
    • davis
      • i
      • ii
    • dallas
    • smithyman
  • invasions
    • constant structure
      • getting out
      • form
      • constant structure
      • mind the gap
    • holy smoke!
    • forays
    • four corners
      • 4corners
      • out here
      • te whāriki
    • interior landscape
      • interior landscape
      • going nowhere
    • hawken/harlow
    • curnow/curnow
    • what poems mean
  • divagations
    • rock kabuki
    • zen piece
    • ingynbin
      • ingynbini
      • ingynbinii
      • ingynbiniii
    • vimutti
    • kawabata series
      • cubist turnstyle
      • thousand cranes
      • snow country
      • three masks
      • waiting years
      • the lake
      • sad beauty
    • meditation brush
    • 14 stations
  • wayfaring
    • ruby cabinet
      • tray 1
      • tray 2
      • tray 3
      • tray 4
      • tray 5
      • tray 6
      • tray 7
    • marketplace series
    • broach series
      • seeing language
      • ecology of poetry
      • on form (ii)
      • on form (i)
      • gender me
      • it was so & not so
      • why continue…
    • countertop series
    • remake series
      • remake1
      • remake2
      • remake3
      • remake4
      • remake5
      • remake6
      • remake7
      • remake8
    • brief series
    • b2f
  • sightings
    • radio access
    • word for word
    • hasay
    • poetry aotearoa
    • sanage
    • everything launch
    • riverspell
    • ocean of languages
  • samuels
    • [untitled]
    • reflection
    • curtis comment
  • britton
    • i pick up something more substantial
    • reflection
    • rapatahana comment
  • von sturmer
    • this is why i read
    • reflection
    • curtis comment
  • young
    • my gryphon garden
    • reflection
    • tierney comment
  • sidedoor
    • janet charman
    • orchid tierney
    • roger horrocks
    • cover image

1500 x 3000mm. Dyed, woven polyester bunting, with appliquéd dyed polyester knit, canvas head, sisal halyard and brass slip clips.

This flag invokes, gives voice to the language of angels. Lingo from language limbo: ‘humm, glossing dat high pitch mute/bure tin border corona. Tihei Mauriora…’ Two lines transporting us across the firmament of post-colonial languages, from the Caribbean, to Melanesia, to New Zealand, in a single breath. The figure, with the raised arm similar to Ringatu, at its heraldic centre, derives from the flag known as the Te Kooti Standard, and is said to represent the Archangel Michael (Mikaere). This spirit, God’s warrior angel, who appeared to, who made himself present to Te Kooti, is the one who brought him word of his holy mission and became his, as they say, guardian angel thenceforth. It is the angelic in Te Kooti ‘who speaks God’‘ and who in his own words, ‘desires life’, consummation of his marriage to Te Rongopai. (Wystan Curnow, ‘Te Tangi a te Matuhi’, Station of Earth-bound Ghosts, eds Wystan Curnow & Leigh Davis, Jackbooks, 1999.)

john geraets

Loading Comments...